Lost and found

I must have a thing for punishment. In the last few days, egged on by a harebrained idea that refuses to die, I’ve been pulling out one drama after another (old and also recent ones) and revisiting selected scenes that make me bawl my eyes out. As I tweeted yesterday, I will go blind at this rate.

But oh, never has crying felt so good!

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Love Letter: Episodes 1-6

Ten-year-old Lee Woo-jin prefers to be called Andrew; it’s the name that his mother gave to him when he was baptized as an infant.

But no one calls him Andrew now. Not his uncle and aunt, the latter spitting out “Woo-jin” as though it’s a dead roach that had somehow found its way into her mouth. The sheer disgust. Years later he will learn that “Woo-jin” is a marriage of two names: his father’s Soo-jin, and his father’s best friend, Myung-woo. Perhaps one day he will learn, too, that both men loved his mom. And that both men married her.

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Sympathy for second fiddles

If you’re in the midst of watching Stairway to Heaven (2003) and are rooting for Han Tae-hwa (Shin Hyun-joon) to win the girl, don’t.

None of the guys in this post gets the prize they most covet: their beloved. Consider that your Wet Blanket Statement of the Week.

Not all kdramas feature a love triangle (or quadrangle). But for those that do, it’s almost a sure bet that the ones playing second fiddles will not emerge victorious. Still, that does not stop many of us from fervently hoping the tide will finally turn in our favorite second fiddle’s favor. Even after getting our hopes crushed multiple times, we still believe there’s a writer out there farsighted enough to write a different ending for the traditional loser. Haha.

This post is for all the second fiddles in our kdramas, who are left with nothing in the end but heartache. Most of the ones here I have loved ardently, a few I have heaped venom on. All of them deserve our sympathy. (Or perhaps not.)

Let’s start with my Numero Uno Detesto. (Excuse the mangled Spanish, but you get the gist.)

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